indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity
OMG我竟然一口气看完三部特别cheesy感觉男女主长嘴根本不是为了吃饭完全是为了亲来亲去女主没被斯坦福录取不知道怎么跟男友讲所以水顺推舟说自己拿到offer了之后纠结地跟后妈倾诉I was like女人流白浆和喷水哪种是高潮这种事在当事人心里真的是很纠结苦恼的大事可是在一个成年阿姨看来真的就是一些细枝末节、“关我屁事”的烦恼年轻真好啊另外想起第一部赤裸裸的养乐多植入广告(我以前还给养乐多写过植入广告合同)真的给看电影这件事带来别样的感觉现在每次看好莱坞明星的电影就总想到给他们写某合同时承受的压力和痛苦令我无法快乐地看电影电视简直是工伤